Kerr, Fagan, and Van Eyken are a distinguished trio in the folk music scene, comprising Nancy Kerr (fiddle, vocals), James Fagan (bouzouki, vocals), and Tim Van Eyken (melodeon, vocals). Each member is celebrated for their individual contributions to folk music, and together, they create a harmonious blend of traditional and contemporary sounds.

Nancy Kerr and James Fagan, an Anglo-Australian duo, have been performing together for decades, earning acclaim for their dynamic performances and intricate musicianship. Tim Van Eyken, a renowned actor-musician, gained prominence in the folk world with his adept melodeon playing and rich vocals. Their collaboration brings together a wealth of experience and a shared passion for folk traditions.

In 2025, Kerr, Fagan, and Van Eyken are reuniting for select performances, including a headline appearance at Bromyard Folk Festival in Herefordshire. Festival attendees can anticipate a captivating performance that showcases the trio’s exceptional talent and deep-rooted love for folk music.

The Furrow Collective, a renowned folk group featuring Alasdair Roberts, Emily Portman, Lucy Farrell, and Rachel Newton, is set to headline this year’s Bromyard Folk Festival. Known for their distinctive interpretations of traditional ballads and rich vocal harmonies, the group brings an inventive approach to folk storytelling, weaving together intricate melodies with evocative arrangements.

With a deep appreciation for traditional music, The Furrow Collective captivates audiences through their hauntingly beautiful harmonies and skillful instrumentation. Their ability to reimagine classic folk narratives while maintaining their authenticity has earned them widespread recognition in the folk scene.

Festival-goers can look forward to an unforgettable performance at Bromyard Folk Festival 2025, where the group will showcase their signature style—blending timeless folk traditions with fresh, contemporary interpretations.

Nancy Kerr and James Fagan are one of the most enduring and celebrated duos in the British folk scene. Partners in life as well as music, they have been performing together for over two decades, bringing audiences an extraordinary blend of instrumental virtuosity, rich harmonies, and heartfelt storytelling.

Nancy Kerr, a multi-award-winning fiddler, singer, and songwriter, is regarded as one of the finest exponents of English folk music today. Her deeply rooted playing and soaring vocals are matched by James Fagan’s commanding presence on bouzouki, guitar, and voice. Hailing originally from Sydney, Australia, James brings a distinctive flavour to the duo’s sound, creating an exciting and powerful musical partnership.

Together, their repertoire spans traditional songs, self-penned material, and contemporary folk, all delivered with passion, finesse, and an infectious energy. Over the years, they have toured extensively across the UK, Europe, and beyond, and have won numerous accolades, including the BBC Radio 2 Folk Award for Best Duo.

Renowned for their tight-knit harmonies, driving rhythms, and captivating stage presence, Nancy Kerr and James Fagan offer performances that are both intimate and exhilarating. At Bromyard Folk Festival, audiences can look forward to a set brimming with musical skill, storytelling, and the unmistakable chemistry of two artists at the very top of their game.

TRIP are a bold and dynamic six-piece band who bring a fresh edge to traditional music, blending powerful tunes with innovative arrangements and infectious energy. With members hailing from Scotland, England, and the Isle of Man, they weave together a rich tapestry of influences, rooted in the folk traditions of their homelands.

Since forming at the Royal Conservatoire of Scotland, TRIP have forged a distinctive sound that’s driven by fiddle, accordion, flute, guitar, bodhrán and piano—delivering intricate melodies, fiery rhythms, and modern grooves that electrify audiences.

They’ve earned acclaim for their thoughtful compositions, tight musicianship, and vibrant live shows, performing across the UK and Europe to packed venues and festival crowds. Their debut album, A Drop for Neptune, was praised for its creativity, maturity, and sheer musical joy.

Expect an exhilarating set that pushes the boundaries of traditional music while honouring its roots—TRIP are not to be missed.

Tim Van-Eyken is a highly respected singer, melodeon player, and interpreter of English folk music. Rising to prominence as a member of Waterson:Carthy, Tim has established himself as a distinctive solo artist with a rich, expressive voice and a powerful instrumental style. His performances are marked by both passion and precision, breathing new life into traditional songs while showcasing his skill as a captivating storyteller.

Over the years, Tim has collaborated with many of the leading names in the folk world and earned acclaim for his solo work, most notably with his album Stiffs Lovers Holymen Thieves. His music draws deeply from the English tradition while remaining refreshingly contemporary, balancing authenticity with originality.

Whether performing solo, in collaboration, or as part of ensembles such as Kerr Fagan Van Eyken, Tim’s artistry shines through in his ability to connect with audiences, weaving together heartfelt vocals, dynamic playing, and an enduring love of the tradition. His appearances at Bromyard Folk Festival promise an inspiring and memorable celebration of folk song at its very best.

The Wilderness Yet is a distinguished folk trio featuring singer Rosie Hodgson, traditional fiddler Rowan Piggott (previous Future of Young Folk Award winner), and guitarist-flautist Philippe Barnes. Together, they weave a rich tapestry of traditional and original songs, showcasing a cappella harmonies and lush instrumental arrangements. Their discography includes the self-titled debut album The Wilderness Yet (2020), the seasonal collection Turn The Year Round (2021), and their latest studio album, What Holds The World Together (2022).

In September 2025, The Wilderness Yet is set to perform at the Bromyard Folk Festival, scheduled from the 11th to the 14th in Herefordshire. Attendees can anticipate a captivating performance that highlights the trio’s exceptional musicianship and harmonious blend of voices.

The highly regarded folk group Crows will take to the stage at Bromyard Folk Festival 2025, bringing their signature harmonies and powerful storytelling to the event. Formed in the late 1970s, the band has built a strong reputation for their rich vocal arrangements and captivating interpretations of both traditional and contemporary folk music.

The group features Mick Ryan (vocals), James Patterson (vocals, guitar), Dave Bordewey (fiddle, vocals), and John Burge (concertina, vocals). Their notable albums, including Time To Rise and No Bones or Grease, have cemented their status as one of the finest folk ensembles in the UK.

Festival-goers can look forward to a stirring and memorable set from Crows at Bromyard Folk Festival 2025, where their timeless sound and masterful storytelling will add to the festival’s rich folk heritage.

The English Fiddle Ensemble is a distinguished folk group featuring Bryony Griffith, Jim Boyle, Ross Grant, and Rosie Butler-Hall. Each member is an accomplished fiddler, bringing their unique style and regional influences to the ensemble. Together, they celebrate the rich tapestry of English fiddle music, delivering performances that are both authentic and invigorating.

Bryony Griffith: Hailing from Huddersfield, West Yorkshire, Bryony is a renowned English fiddle player and singer with a rich repertoire of traditional dance tunes and songs. She has been an integral part of the English folk scene for over three decades, contributing to ensembles such as Bedlam, The Witches of Elswick, and The Demon Barbers. Bryony also collaborates with Alice Jones and serves as a tutor at Leeds Conservatoire.

Jim Boyle: An accomplished fiddler, Jim has collaborated with various folk ensembles, contributing his expertise to numerous projects. His involvement in The English Fiddle Ensemble showcases his dedication to traditional English music.

Ross Grant: Ross is a skilled fiddle player known for his work with groups like Inlay and his collaborations with artists such as Georgia Lewis. He has performed at prestigious venues and events, including a performance for Sir David Attenborough. Ross is also active in educational initiatives, offering workshops and lessons to aspiring musicians.

Rosie Butler-Hall: Rosie is a talented fiddler celebrated for her dynamic playing style and contributions to the folk music community. She has collaborated with various artists and ensembles, bringing her unique flair to traditional tunes. Rosie’s involvement in The English Fiddle Ensemble highlights her commitment to preserving and promoting English fiddle music.

Together, these musicians form The English Fiddle Ensemble, delivering captivating performances that celebrate the rich heritage of English fiddle music.

Holly Clarke is a traditional folk singer, guitarist, and composer from the Lake District in England. Her performances captivate audiences by breathing new life into age-old ballads and stories, delivering them with infectious energy and passion.

In 2015, Holly moved to Newcastle to study on the BA Folk and Traditional Music course at Newcastle University, immersing herself in the local folk scene.

Her dedication led to her selection as a semi-finalist in the BBC Radio 2 Young Folk Awards in 2016.

Throughout her career, Holly has collaborated with esteemed artists such as Nancy Kerr, James Fagan, and Daoirí Farrell. She has graced stages at notable venues and festivals, including The Glasshouse International Centre for Music, Sidmouth Folk Festival, Bromyard Folk Festival, and Tiree Music Festival.

Beyond her solo work, Holly performs in a duo with George Sansome of Granny’s Attic and leads her trio, Holly and the Reivers, featuring Newcastle-based musicians Bertie Armstrong and Merle Harbron. In 2019, she was appointed as Artist in Residence at Sage Gateshead, focusing on traditional folk songs and ballads.

Holly is also a composer, with her tunes performed by artists like Norwegian Hardanger fiddle player Annbjørg Lien and Shetland fiddler Catriona Macdonald. In 2022, she initiated the concert series ‘Folk is Queer’ to platform LGBTQ+ folk musicians in the North East, fostering connections within the community.

Her contributions to the folk music scene have been recognized by peers and critics alike. Nancy Kerr praised her as “the possessor of a seemingly effortless and transporting folk voice,” while James Fagan described her as “a rising star in the folk firmament.”

Jack Rutter is a distinguished folk singer, guitarist, and multi-instrumentalist from West Yorkshire, England. He has garnered acclaim for his compelling interpretations of traditional songs and his engaging stage presence.

In 2017, Jack released his debut solo album, Hills, featuring traditional songs delivered with minimalistic arrangements. This was followed by Gold of Scar & Shale in 2019, which continued his exploration of traditional material. His latest album, This Is Something Constant, released in 2023, has been praised for its captivating storytelling and masterful musicianship.

Beyond his solo work, Jack has collaborated with various ensembles, including The Sea Song Sessions, Moore Moss Rutter and the Seth Lakeman Band, contributing his instrumental prowess and vocal talents. His contributions to the folk music scene have been recognized by peers and critics alike, with Folk Radio UK describing him as “one of the most enthralling folk singers, guitarists & musicians on the British folk scene today.”

Rebecca Hill and Charlie Stewart are a Glasgow-based harp and fiddle duo celebrated for their innovative blend of traditional and contemporary folk music. Their debut album, Thawcrook, released in 2023, showcases their unique approach, weaving together traditional tunes, original compositions, and improvisation to create a captivating musical experience.

Rebecca Hill, an accomplished harpist, was honored as the ‘Up and Coming Artist of the Year’ at the MG Alba Scots Trad Music Awards in 2020 following the release of her solo EP, The Airing. Charlie Stewart, a distinguished fiddler, earned the title of ‘BBC Radio Scotland Young Traditional Musician of the Year’ in 2017 and has collaborated with numerous artists across various projects.

Together, they create a harmonious fusion of harp and fiddle, delivering performances that are both innovative and deeply rooted in tradition.

Enda Kenny is an Irish-born Australian folk singer-songwriter renowned for his evocative storytelling and engaging performances. Born in Dublin, he relocated to Melbourne in 1987 and has since become a prominent figure in the folk music scene. Over his career, Enda has released ten independent albums, with his latest, After the Interval, launched in 2024. His songwriting, characterized by thoughtful and descriptive narratives, has earned him accolades, including the Lawson Paterson Award for Songwriting at the Port Fairy Folk Festival. He was also honored as Artist of the Year at the Newstead Live Music Festival. Enda continues to tour extensively across Australia and internationally, captivating audiences with his memorable songs infused with humor and insight.

Jon Loomes is an English traditional singer, guitarist, and multi-instrumentalist celebrated for his engaging performances and deep knowledge of folk music. He has been a prominent figure in the folk scene, known for his solo work and collaborations with groups such as Pilgrims’ Way and Heretique. His solo album, Fearful Symmetry, has become a cult classic among folk enthusiasts. Jon’s instrumental versatility spans guitar, cittern, mandolin, bouzouki, banjo, piano, violin, viola, English concertina, melodeon, bagpipes, and hurdy-gurdy. He has performed at major British folk festivals and international venues, captivating audiences with his renditions of traditional ballads and intricate guitar accompaniments. Beyond performing, Jon is also a composer, luthier, and recording engineer, contributing to various projects within the folk community.

Lauren South is a Warwickshire-based folk singer, songwriter, and multi-instrumentalist known for her enchanting voice and evocative storytelling through original and traditional songs. With her debut album Tiny Boat released in November 2023, she has earned recognition for melodic compositions that explore themes of love, motherhood, nature, and the night sky.

Her band arrangements are richly layered—with backing from tenor guitar, fiddle, shruti box, double bass, percussion, and harmony vocals – creating a warm, orchestral folk sound that has drawn comparisons to highly regarded artists in the UK folk scene.

Critics regularly praise Lauren’s work. Reg Meuross remarked, “I love Lauren’s voice! It has a distinctive and unique beauty that allows her to turn every word she sings into a kind of magic formula,” while At the Barrier highlighted her “angelic voice… perceptive and melodic songwriting” as key to her growing reputation.

Live, she’s built a devoted following across regional festivals and venues. Recent appearances include Bromyard Folk Festival and Chippenham in May 2025, as well as performing as part of the Lauren South Trio at Warwick Arts Centre in May 2025 – a performance lauded as bringing her songs to “even higher planes” in a richly arranged ensemble context.

As well as her solo work, Lauren performs in the duo Donnelly & South with Keith Donnelly. Her instruments include tenor guitar, fiddle, shruti box, and occasionally violin or vocals – offering versatile and emotionally resonant songcraft.

Wet The Tea is an imaginative three-piece folk ensemble fronted by singer-songwriter Andy Connally, alongside Clare “Fluff” Smith and Adam Beresford‑Browne. Together they fuse their multi-instrumental talents across flute, whistle, guitar, piano, bouzouki, fiddle, cello, mandolin, bodhrán and vocals to craft a distinctive sound that bridges Irish and English folk, contemporary roots, bluegrass, and Americana, all anchored by their own self-written songs and tunes.

Andy Connally—a Liverpool-raised Irish folk musician—leads the band with heartfelt, honest songwriting informed by his life experiences and musical training in Comhaltas and Folklore traditions. He’s joined by Clare “Fluff” Smith, a seasoned fiddler and cellist with decades of experience in folk‑rock scenes, youth ensembles, and international touring. Adam Beresford‑Browne brings guitar, mandolin, and harmony vocals, shaped by his Donegal roots, festival session experience, and a passion for teaching and storytelling in the folk community.

Their music is built on original, self-penned material—Andy often introduces each song live, sharing its creation story and emotional core. These compositions offer windows into personal passions, imagination, and vulnerability, and are delivered with warmth, sincerity, and narrative flair.

Live, Wet The Tea deliver deeply engaging, skillful performances. Their sets draw audiences into song, with moments of foot‑tapping rhythm, layered harmony, soulful fiddle or flute melodies, and storytelling woven between tunes. It’s music that feels powerful one moment, delicate the next—always honest, always rooted in connection.

Colin Pitts is a masterful singer-songwriter whose warm, reflective songs and gentle humour have made him a cherished presence on the UK folk scene for decades. First performing in Swansea folk clubs in the late 1960s, Colin became a well-known figure in Midlands folk circles throughout the 1970s before re-emerging in the 1990s with a rich catalogue of original material.

His songs—witty, poignant, and disarmingly honest—often linger long after the final chord, with titles like Looking for England, Australian Wine, Let Her Lie and Nailer’s Row now frequently covered by others. In fact, one of his most loved songs was recently mistaken for a traditional folk piece—testament to the timeless quality of his writing.

Despite a serious illness that limited live appearances for a time, Colin continued to write, and now performs with renewed energy and his trademark intimacy. He’s graced stages across the UK, from folk clubs and village halls to festivals and national radio, including BBC Radio 2.

With a new album on the way and songs like Halfway Round the World resonating with today’s global concerns, Colin Pitts remains as relevant, insightful, and warmly entertaining as ever. Don’t miss this rare chance to catch a true craftsman live at Bromyard.

Quantum Penguin is the delightfully quirky musical alias of Matt Woolley, a Shropshire-based folk multi-instrumentalist, songwriter, and unabashed penguin enthusiast. Whether he’s wielding a fiddle, guitar, or bouzouki, Matt brings warmth, wit, and a love of tradition to every performance – alongside the occasional flightless bird reference.

Equally at home with traditional folk tunes and more contemporary songwriting, Quantum Penguin bridges the gap between heritage and modernity, creating music that’s heartfelt, melodic, and joyfully original. His sets weave together self-penned songs and lively instrumental pieces, often laced with humour, reflection, and the occasional unexpected twist.

Matt’s easygoing style, skillful playing, and endearing stage presence have made him a favourite on the folk circuit. With a name that never fails to raise a smile and a sound that always delivers, Quantum Penguin offers a refreshing take on folk music – one that’s rooted in tradition but never afraid to wander into uncharted (or icy) territory.

Catch Quantum Penguin at Bromyard Folk Festival for a set full of charm, tunes, and just maybe… a penguin or two.

Nina Zella is a versatile singer, pianist, songwriter, and composer whose music defies easy categorisation. Best known as the singer and keyboard player with acclaimed UK folk band Banter, Nina has been writing songs since she was first able to sit at a piano, and her career has flourished into a unique blend of folk, jazz, soul, blues, and indie influences. Her music is a tapestry of heartfelt lyrics and captivating melodies, drawing on a lifetime of adventures and experiences.

Now embarking on an exciting solo project with a new album in the works, Nina is gaining recognition as an artist of the highest calibre. BBC Radio 2’s Mark Radcliffe has likened her to Christine McVie, a comparison that reflects both the warmth and emotional honesty of her songwriting and the richness of her voice. Her compositions resonate deeply with listeners, balancing reflective storytelling with unforgettable hooks and a refreshing, soulful honesty.

With previous albums such as Georgia on My Mind and Only Hope, Nina has already proven her ability to cross genres and captivate audiences. Her music has received critical acclaim across the press and airplay around the globe, affirming her as a songwriter and performer who connects with audiences on a personal level. Whether on stage with Banter or stepping out as a solo artist, Nina Zella delivers performances filled with vitality, honesty, and emotional depth, securing her place as one of the most compelling voices on the contemporary folk and roots scene.

The Luscombe Sisters – Becky and Polly – are a dynamic harmonising duo whose roots run deep in the folk tradition. Growing up surrounded by shanty singers and immersed in the vibrant world of folk music, they developed a natural love for singing and for the camaraderie of a good pub session. Their family heritage is steeped in song: daughters of Pete Luscombe (of the Portsmouth Shantymen, Ramskyte, and Wholehearted), they carry forward a legacy of powerful harmony and maritime tradition, while bringing their own youthful energy and style.

Together, Becky and Polly’s voices intertwine with an effortless warmth, whether performing traditional songs, shanties, or their own repertoire of close-harmony folk. They are also two-thirds of Alternative Quay, alongside Kevin Frost, where they revel in sea songs and shanties, continuing the family’s deep connection with maritime music.

With a sound shaped by both tradition and their own unique artistry, The Luscombe Sisters are fast establishing themselves as an exciting act on the folk scene. Expect heartfelt harmonies, infectious enthusiasm, and a true celebration of the joy of singing together.

Fold Theatre are a much-loved Bromyard-based troupe who bring folk-inspired theatre, song, and storytelling to life. Longstanding performers at Bromyard Folk Festival, they are known for their engaging mix of music, drama, and narration that celebrates the richness of folk culture.

Their performances weave together wonderful songs, evocative poems, lively sketches, and a blend of humour and reflection, all underpinned by fascinating facts and snippets of history you never knew you wanted to know. Whether drawing on local heritage, traditional tales, or folk curiosities, Fold Theatre deliver a unique style of entertainment that is thought-provoking, heart-warming, and full of character.

Stalwarts of tradition, their shows promise a captivating journey through the worlds of song, story, and stage, where laughter, learning, and a love of culture meet.

Keith Donnelly, one of the folk scene’s most beloved—and yes, slightly eccentric—characters, joins forces with the dynamic and rising star, Lauren South. While Keith is often known for letting his songwriting and guitar skills take a backseat to his onstage antics, he assures us this won’t be the case with this duo. Lauren’s breathtaking vocals, whether on her own original songs, Keith’s compositions, or traditional folk pieces, paired with her talents on the violin, guitar, and shruti box, consistently captivate audiences wherever she performs.

This new partnership might catch some off guard, but those familiar with Keith’s work with groups like Dark Horses, Nothing by Chance, or even his early days with Waterfall, will understand why he was eager to collaborate with a vocalist of Lauren’s caliber. If you’ve enjoyed these two as solo artists, you’ll likely share our excitement for the debut of this remarkable new duo.

Daisybell are a vibrant folk singing trio made up of Katherine Fear, Anya Fay, and Charlie Adams. Since forming in 2016, they have delighted audiences with their trademark three-part harmonies, inventive arrangements, and an engaging stage presence that blends warmth, humour, and musicianship in equal measure.

Drawing on traditional material as well as contemporary folk and original songs, Daisybell bring fresh life to every piece they perform. Their voices interweave seamlessly, creating harmonies that are rich, expressive, and instantly captivating. Each member brings her own musical experience and style, resulting in performances that are both polished and heartfelt.

Beyond Daisybell, the trio have also collaborated on larger projects, including Katherine Fear’s folk musical The Undoing of Polly Button. Together, they embody the joy of singing, with concerts that offer everything from powerful ballads to witty, light-hearted numbers, all delivered with charm and connection.

Festival audiences can expect a set that is uplifting, moving, and full of the kind of harmonies that stay with you long after the music ends.

Cobblers Child is a group of four friends who began playing together during the pandemic lockdowns as a way to maintain their sanity in uncertain times. With a blend of melodeon, guitar, whistles, and Northumbrian pipes, they created a rich musical tapestry that perfectly complements Martin and Emma’s vocals. It wasn’t long before they discovered that their music and infectious enthusiasm resonated with others.

Their repertoire includes both traditional and contemporary compositions. Martin has a passion for unearthing forgotten gems that still resonate in today’s world, breathing new life into them with beautiful melodies and arrangements. Many of his songs are inspired by stories from the inland waterways, collected during their travels on a narrowboat. Paul contributes lively tunes that add to the band’s toe-tapping sets.

The Band

Paul Baker, a dedicated melodeon enthusiast and collector, began his folk music journey at the University of Sheffield, where he formed the ceilidh band Hekety alongside friends like Richard and Jess Arrowsmith (Melrose Quartet). Originally a guitarist, Paul’s strong sense of rhythm transitioned seamlessly to the melodeon. His diverse musical influences are rooted in his love of dance traditions, which he brings to Cobblers Child.

Martin Vogwell (Guitar/Mandola/Vocals) has been a touring musician for over 25 years, including a decade with Folklaw, performing across the UK, Germany, and the Netherlands. He has released four well-received solo albums and fronts the band Bewelian, known for their intricate arrangements. Martin’s songwriting is inspired by archival material and the stories of the canals. He also performs with his wife Emma as The Vogwells duo.

Emma Vogwell (Whistle/Vocals) has a long history as a touring musician, contributing vocals, saxophone, and whistle to various bands, both folk and beyond. As part of The Vogwells, she and Martin have been active in the Gloucestershire folk scene, collaborating on projects like the GlosTrad project with the late collector Gwilym Davies and Steve Rowley. They have performed at folk clubs from Edinburgh to Cornwall.

Polly Stirzaker (Northumbrian Small Pipes/Whistle) has deep roots in traditional music, having busked with highland pipes on Edinburgh’s Royal Mile in her youth. She has played fiddle, melodeon, and whistle with various ceilidh bands and hosts regular “slow sessions” for developing musicians. In Cobblers Child, Polly brings the distinctive sound of the Northumbrian Pipes, which she learned in an evening class while working in Newcastle.

Paul and Polly are also active dancers and musicians for the Cotswold Morris side Lassington Oak from Highnam near Gloucester, participating in many local folk traditions, including Wassailing, Harvest Home, and May Day celebrations.

Ross Folk Choir is a spirited and inclusive community choir from Ross-on-Wye, dedicated to celebrating the rich traditions of folk music through harmony, storytelling, and shared song. Open to all, regardless of experience, the choir brings together singers of all backgrounds with a common passion for folk music and the joy of group singing.

Their repertoire spans traditional songs from the British Isles and beyond—ranging from foot-stomping sea shanties to haunting ballads—each chosen to reflect the stories, culture, and emotion at the heart of the folk tradition. With a strong focus on community and participation, Ross Folk Choir creates a welcoming space where voices unite to powerful effect.

Known for their warmth, enthusiasm, and vibrant vocal blend, the choir regularly performs at festivals, concerts, and community events across the region. They’ve earned a loyal following for their engaging performances and the genuine sense of joy they bring to every stage.

We’re delighted to welcome Ross Folk Choir to Bromyard Folk Festival—come and experience the harmony, heart, and community spirit.

Nigel Smith is a beloved figure in the folk music community, known not only as the master of the festival bar but also as a soulful singer who brings traditional folk songs to life with warmth and authenticity. As the landlord of the historic Fleece Inn in Bretforton, Nigel has long been a central figure in the local folk scene, hosting countless folk nights and creating a welcoming space for musicians and music lovers alike. His deep connection to the music he performs, coupled with his natural ability to engage and uplift an audience, makes him a standout performer in any setting.

Nigel’s journey as a folk singer is intertwined with his role as the guardian of the Fleece Inn, a venue with a rich history and a vibrant musical tradition. His performances are marked by a genuine love for the songs he sings, often delivering renditions of traditional folk tunes that resonate with the history and spirit of the music. Whether performing a rousing chorus in the bar or a more intimate ballad on stage, Nigel’s voice has a way of connecting with listeners, evoking both the joy and the pathos of folk music.

After making his festival debut last year, Nigel quickly became a favorite among festival-goers, who were charmed by his heartfelt performances and his easygoing, approachable manner. His return to the festival this year is highly anticipated, as he continues to delight audiences with his blend of traditional songs and engaging stage presence. Nigel’s role as both a performer and the landlord of the Fleece Inn gives him a unique perspective on the folk tradition, one that he shares generously with those who come to hear him sing.

In addition to his musical talents, Nigel is also known for his hospitality, ensuring that festival-goers are well cared for, both in terms of refreshment and entertainment. His ability to create a warm, inviting atmosphere, whether in the pub or on the festival stage, has endeared him to many, making him an integral part of the folk community. Nigel Smith is not just a performer; he is a custodian of folk culture, keeping the traditions alive and thriving in Bretforton and beyond.

KC JONES, a husband and wife duo from Warwickshire, England, perform songs by Karen Killeen-Jones, with Colin Jones accompanying her on guitar.

They are a dynamic folk duo known for their harmonious blend of traditional and contemporary influences, bringing a fresh yet deeply rooted sound to the folk music scene. Comprised of two talented musicians, the duo’s performances are marked by rich vocal harmonies, intricate instrumental work, and a deep respect for the folk tradition. Their music often draws from a wide range of influences, including Appalachian, Celtic, and English folk, weaving together stories and melodies that resonate with audiences both old and new.

The duo’s musical partnership is built on a shared passion for storytelling through song. With one member’s expertise on guitar and the other’s mastery of fiddle, mandolin, or banjo, KC Jones creates a full, textured sound that captivates listeners. Their live performances are known for their warmth and intimacy, as they engage the audience with both their music and the stories behind their songs. Whether performing a haunting ballad, a lively reel, or an original composition, KC Jones brings a depth of emotion and skill to every note.

KC Jones has earned a reputation for their ability to breathe new life into traditional songs, while also contributing original material that speaks to contemporary themes. Their songwriting often reflects personal experiences and observations, exploring themes such as love, loss, and the human connection to the natural world. This combination of the old and the new makes KC Jones a compelling presence in the folk music community, appealing to both traditionalists and those looking for something new and innovative.

As they continue to tour and record, KC Jones is steadily building a loyal following, with their music resonating with audiences across the country. Their dedication to their craft, along with their genuine connection with their audience, ensures that KC Jones is a duo to watch in the folk music world.