Bromyard Folk Music Festival 2025

Bromyard Folk Festival

11th-14th September 2025

Category: Sessions

  • Bordewey, Young & Gittens

    Bordewey, Young & Gittens

    Three of England’s finest folk musicians playing fiddle, guitar, dobro, melodeon, concertina and bouzouki. Sit back, relax and toe tap to the eclectic mix of entertainment of the popular folk duo Dave Bordewey and Dave Young, who are joined again by guitar virtuoso Allistair Gittens.

    Dave Bordewey has been involved with folk music for more years than he cares to remember. His roots are firmly in the tradition of the British Isles, from his first folk group at university with Tim Laycock, moving on to be a resident singer at Cecil Sharp House folk club, Dingles and Camden Town folk clubs and then as multi-instrumentalist with the band Crows throughout the 1980s.

    Dave Young became interested in folk music at the age of 18, having seen a local Morris side performing outside a local pub in Surrey. The following year he joined Cup Hill Morris Men first as a dancer, and later learnt the melodeon and anglo-concertina. He also played with several barn-dance bands in the South-East of England, before moving to Malvern in 2000.

    The programme includes a mix of folk tunes and songs mainly from England but also from America and Ireland with some self penned thrown in.

  • Graeme Knights

    Graeme Knights

    Graeme comes from a long line of singers, spanning six generations within his family, showcasing a rich singing tradition. His own active involvement in folk music extends over a period of about 40 years.

    Graeme enjoyed a prominent position within the group “Landlocked” for six years, and he spent over 15 years collaborating with Jim Mageean. While he is renowned for his renditions of shanties, his repertoire extends far beyond that, encompassing a wide range of genres including traditional love songs, mining songs, gospel music, drinking songs, and music hall tunes. Additionally, he incorporates some more contemporary compositions, many of which feature enjoyable and singable choruses.

    Graeme’s deep baritone voice has a magnetic quality that invites the audience to participate in the singing, and his delivery and stage presence create unforgettable evenings for his listeners. Notably, his experiences with the Jubilee Sailing Trust have lent extra passion and enthusiasm to his rendition of his signature song, “Don’t disable me,” making it all the more impactful.

  • Jim Mageean

    Jim Mageean

    Jim Mageean is a revered figure in the folk music world, known for his powerful voice, deep knowledge of maritime songs, and longstanding dedication to preserving and promoting traditional music. With a career spanning several decades, Mageean has established himself as one of the leading interpreters of sea shanties and work songs, bringing these historic pieces to life with authenticity and passion. His performances are marked by a robust, resonant voice that perfectly captures the spirit of the songs he sings, making him a favorite at folk festivals and maritime events around the world.

    Mageean’s love for traditional music began at an early age, growing up in a family steeped in the rich singing traditions of the North East of England. Over the years, he has amassed an extensive repertoire of songs from the British Isles and beyond, with a particular focus on the maritime tradition. Whether performing solo or as part of a group, Jim’s ability to convey the stories, emotions, and historical context of these songs has earned him widespread acclaim. His knowledge of sea shanties, in particular, has made him a sought-after performer and educator in the folk community.

    In addition to his work as a performer, Jim Mageean is also deeply committed to the education and promotion of traditional music. He has worked extensively as a tutor, sharing his expertise with the next generation of folk singers and helping to ensure that these important cultural traditions are passed down. Mageean has also been involved in numerous recording projects, capturing the essence of traditional songs for posterity and introducing them to new audiences. His recordings are treasured by folk music enthusiasts for their authenticity and attention to detail.

    Throughout his career, Jim Mageean has been recognised not just for his talent as a singer, but also for his role as a cultural ambassador, helping to keep traditional music alive and relevant in the modern world. His contributions to the folk music community are immeasurable, and his influence can be seen in the many singers and musicians who have been inspired by his work. Whether on stage or in a teaching setting, Jim Mageean continues to be a vital and respected figure in the world of traditional folk music.

  • Marilla Homes

    Marilla Homes

    Marilla Homes is a dynamic and versatile folk singer who brings a rich tapestry of experiences and influences to her music. Originally from Australia, Marilla has found a new home in Newcastle, where she continues to develop her career as a classically trained singer, teacher, and performer. Her journey across continents and genres has shaped her into a uniquely talented artist, capable of effortlessly navigating the diverse worlds of folk, jazz, opera, and musical theatre.

    Marilla’s versatility is one of her greatest strengths. She possesses a rare ability to transition between genres with ease, bringing a deep understanding of each style to her performances. In the folk tradition, she is particularly known for her emotive storytelling and the clarity of her voice, which can convey the intricate nuances of traditional ballads as well as the contemporary folk songs she writes herself. Her classical training provides a strong technical foundation, allowing her to deliver each song with precision and emotional depth, whether she’s performing a haunting folk tune or an original composition.

    Beyond her performances, Marilla is also a passionate educator, sharing her extensive knowledge and love of music with students of all ages. Her teaching is informed by her diverse background, incorporating elements from the various genres she excels in, which enriches her students’ learning experience. Marilla’s approach to music education emphasizes not just technical proficiency, but also creativity and expression, encouraging her students to explore their own musical voices.

    Marilla’s creative talents extend beyond singing and teaching. She is also an accomplished songwriter, drawing on her wide range of influences to craft songs that are both personal and universal. Her original compositions often explore themes of identity, place, and the human experience, resonating with audiences through their authenticity and emotional depth. In addition to songwriting, Marilla enjoys experimenting with vocal improvisations, pushing the boundaries of what the voice can do and creating spontaneous, one-of-a-kind musical moments.

    In Newcastle, Marilla has become a beloved figure in the local music scene, known for her captivating performances and her ability to connect with audiences through her music. Whether on stage or in the classroom, Marilla Homes continues to inspire and enchant with her versatile talent and deep passion for the art of singing.

  • Shady Tann-Watson

    Shady Tann-Watson

    Shady Tann-Watson is a vibrant and passionate figure in the English folk scene, whose deep connection to traditional music runs through her veins. Having been immersed in folk culture even before she was born, Shady’s upbringing was steeped in the songs, stories, and communal spirit that define the genre. It’s no surprise that she first took to the stage at the tender age of five, showcasing a natural talent for singing that has only grown stronger with time.

    Shady is best known for her powerful, rousing performances that bring audiences together in song. Often found leading late-night chorus sessions, tankard in hand, she embodies the communal spirit of folk music, where the lines between performer and audience blur, and everyone becomes part of the experience. Her love for these moments of shared music-making is evident in the way she commands a room, encouraging all to join in, regardless of their musical ability. Shady’s voice, rich and full of life, cuts through the night, inviting everyone to be part of the chorus and creating unforgettable memories for those lucky enough to be there.

    In addition to her late-night singalongs, Shady has a deep repertoire of traditional songs that she delivers with authenticity and heart. Her performances are a celebration of the folk tradition, breathing new life into old songs while staying true to their roots. Whether performing a haunting ballad or a lively tune, Shady brings a warmth and sincerity to her music that resonates with audiences of all ages.

  • Rapsquillion

    Rapsquillion

    Rapsquillion is a folk group known for their rich vocal harmonies and eclectic repertoire that draws from a variety of traditional and contemporary sources. The group’s name hints at their playful and adventurous approach to music, blending the old with the new in ways that are both respectful of tradition and refreshingly original. Rapsquillion is characterized by its members’ deep passion for folk music, as well as their ability to breathe new life into songs from the past while also creating compelling original material.

    The ensemble’s performances are marked by their strong group dynamic, where each member’s voice and instrumental skill contributes to a full, layered sound that captivates audiences. Their harmonies are a standout feature, often weaving complex vocal lines that highlight the emotional depth of the songs they perform. Rapsquillion’s repertoire includes everything from traditional English and Celtic folk songs to original compositions, often with themes that explore historical events, social issues, and human stories.

    In addition to their vocal work, Rapsquillion is also known for their instrumental versatility, incorporating a range of traditional instruments into their music, such as the fiddle, accordion, and guitar. This combination of vocal and instrumental prowess makes their live performances engaging and dynamic, offering something for everyone in the audience.

    Rapsquillion has built a strong following within the folk community, performing at festivals, folk clubs, and events across the UK. Their commitment to both preserving and innovating within the folk tradition has made them a beloved and respected group in the scene. Whether through their interpretations of old ballads or their original songs, Rapsquillion continues to make a significant contribution to the vibrant landscape of contemporary folk music.

  • Seb Stone

    Seb Stone

    Seb Stone is an emerging folk singer who has quickly made a name for himself in the folk music scene, earning recognition as the 2022 winner of Bromyard Folk Festival’s Future of Young Folk Award. Hailing from Sheffield, Seb brings a fresh yet deeply rooted perspective to traditional music, combining his vocal talents with expert self-accompaniment on the uilleann pipes and whistle. His unique blend of instruments and voice creates a sound that is both hauntingly beautiful and richly textured, resonating with audiences who appreciate the depth and emotion of folk music.

    As a vocalist, Seb has a distinctive voice that captures the essence of the traditional songs he performs, imbuing them with a sense of history and authenticity. His ability to convey the stories and emotions behind these songs is enhanced by his skill on the uilleann pipes and whistle, instruments that add a layer of complexity and nuance to his performances. The combination of Seb’s voice with these traditional Irish instruments creates a powerful and evocative listening experience that sets him apart from other young artists in the genre.

    Seb’s talent has not gone unnoticed in the folk community. His award from the Bromyard Folk Festival highlights his potential as a rising star in the folk world, and his performances continue to draw attention for their emotional depth and technical skill. As he continues to develop his craft, Seb Stone is poised to become a significant voice in contemporary folk music, bringing a fresh yet respectful approach to the traditions he so clearly cherishes.

    With a promising future ahead, Seb Stone represents the next generation of folk artists who are dedicated to keeping the tradition alive while also making it relevant to modern audiences. His work is a testament to the enduring power of folk music and its ability to connect people across generations.

  • Dave Webber & Anni Fentiman

    Dave Webber & Anni Fentiman

    Dave Webber and Anni Fentiman are a highly respected duo in the British folk music scene, known for their powerful vocal harmonies and dedication to traditional folk music. Together, they have carved out a distinctive place within the folk community, celebrated for their ability to bring old songs to life with authenticity and passion. Their repertoire is deeply rooted in the traditional music of the British Isles, with a particular emphasis on unaccompanied harmony singing, a style that highlights the beauty and intricacy of folk melodies and lyrics.

    Dave Webber and Anni Fentiman are not only performers but also song collectors and writers, contributing to the preservation and continuation of the folk tradition. Dave Webber, in particular, is known for his songwriting, creating new material that seamlessly blends with the traditional songs they perform. His compositions often draw on historical and social themes, resonating with the storytelling tradition that is central to folk music.

    Anni Fentiman, with her warm and expressive voice, complements Dave’s singing perfectly, creating a rich, full sound that has captivated audiences for many years. Her deep understanding of traditional music and her skillful interpretation of songs make her a standout performer in her own right.

    The duo has toured extensively, performing at folk clubs, festivals, and events across the UK and beyond. Their live performances are known for their intimate, engaging style, where their passion for the music and their connection with each other shine through. They have also recorded several albums together, which have been well received by both critics and fans.

    Dave Webber and Anni Fentiman’s contribution to the folk music world extends beyond performance. They have been active in organizing and promoting folk events, workshops, and singing sessions, helping to nurture the folk community and inspire new generations of singers and musicians.

  • Worcester Ukulele Club

    Worcester Ukulele Club

    The Worcester Ukulele Club is a vibrant and welcoming community group based in Worcester, UK, dedicated to bringing people together through the joy of playing the ukulele. Founded with the simple goal of making music accessible to all, the club has grown to become a popular gathering place for ukulele enthusiasts of all ages and skill levels. Whether you’re a complete beginner or an experienced player, the Worcester Ukulele Club offers a supportive environment where members can learn, share, and enjoy music together.

    The club meets regularly for practice sessions, where members play a wide variety of songs, ranging from classic folk tunes and pop hits to more eclectic selections. These sessions are not only about playing the ukulele but also about fostering a sense of community and friendship among members. The club’s repertoire is diverse, reflecting the wide-ranging musical tastes of its members and the versatility of the ukulele as an instrument.

    In addition to regular meetings, the Worcester Ukulele Club is active in the local community, often performing at events, festivals, and charity fundraisers. Their performances are always lively and engaging, bringing a cheerful and uplifting atmosphere to any occasion. The club’s approach to music is inclusive and fun, making it a hit with audiences of all ages.

    The Worcester Ukulele Club also offers opportunities for members to improve their skills through workshops and informal teaching sessions. More experienced players often share their knowledge with newcomers, helping them to develop their technique and confidence. This spirit of sharing and mutual support is a key aspect of the club’s ethos.

    Overall, the Worcester Ukulele Club is more than just a music group; it’s a community of people who come together to celebrate the joy of making music. Whether you’re looking to learn a new instrument, meet like-minded people, or simply have fun, the Worcester Ukulele Club offers a welcoming and enjoyable way to get involved in music.

  • Tuneworks

    Tuneworks

    Tuneworks is an initiative designed to support and encourage musicians, particularly those who are new to playing traditional folk music in a group setting. It provides a welcoming and structured environment where musicians can learn and practice folk tunes, often with a focus on those commonly played at sessions and ceilidhs.

    Tuneworks typically offers workshops and sessions at various folk festivals and events across the UK. These workshops are geared towards players of all skill levels, but they are especially beneficial for beginners or those looking to build confidence in playing with others. The sessions focus on teaching a repertoire of well-known tunes, often drawn from the English, Scottish, Irish, and other traditional music traditions.

    One of the key aspects of Tuneworks is its inclusive and supportive approach. The workshops are designed to help musicians develop their skills in a relaxed and non-judgmental setting. Participants can expect to learn tunes by ear, improve their ability to play in time with others, and gain a better understanding of the structure and style of traditional music. Additionally, the environment is collaborative, with more experienced musicians often on hand to provide guidance and encouragement.

    Tuneworks also offers resources beyond their workshops, including tune books and online materials that participants can use to continue their practice at home. These resources help to ensure that the learning doesn’t stop when the workshop ends, allowing musicians to further develop their skills and expand their repertoire.